Compare Prices for Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens for Canon SLR Cameras

Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens for Canon SLR CamerasBuy Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens for Canon SLR Cameras

Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens for Canon SLR Cameras Product Description:



  • 28-135mm standard zoom lens with f/3.5-5.6 maximum aperture for Canon SLR cameras
  • Delivers sharp, natural-looking pictures in dim lighting without requiring flash or tripod
  • Ring-type USM adjustment system for swift, silent autofocusing and full-time manual focus
  • Close focusing distance of 20 inches; 75- to 18-degree diagonal angle of view
  • Measures 3.1 inches in diameter and 3.8 inches long; weighs 18.9 ounces; 1-year warranty
  • 28-135mm standard zoom lens with f/3.5-5.6 maximum aperture for Canon SLR cameras
  • Delivers sharp, natural-looking pictures in dim lighting without requiring flash or tripod
  • Ring-type USM adjustment system for swift, silent autofocusing and full-time manual focus
  • Close focusing distance of 20 inches; 75- to 18-degree diagonal angle of view
  • Measures 3.1 inches in diameter and 3.8 inches long; weighs 18.9 ounces; 1-year warranty

Product Description

Standard zoom lens with an Image Stabilizer and high zoom ratio. With the Image Stabilizer turned on, you can obtain sharp, natural-looking pictures in dim lighting without using flash or a tripod. Very handy for places where flash is prohibited. Uses ring-type USM for swift, silent autofocus and full-time manual focus. A compact and lightweight zoom lens with built-in image stabilizer for greater sharpness Advanced optics and aspherical lens element help preserve sharpness and color clarity from edge to edge Accepts 72mm lens filters (optional) Features

  • EF mount; standard zoom lens
  • Internal focusing; full-time manual focus; aspherical lens; image stabilizer
  • 28-135mm focal length
  • f/3.5-5.6 maximum aperture
  • Micro UltraSonic Motor (USM)

Customer Reviews

Most helpful customer reviews

2409 of 2435 people found the following review helpful.
5a great general-purpose lense
By T. Hladish
I bought this lens four years ago and have shot around 6,000 photos with it (4000 digital, 2000 35mm). Autofocus is very fast and quiet, which is typical of the Canon USM lenses. I would not recommend a Canon lens that does not have the ultrasonic motor (USM) focusing. Optics are sharp throughout the focusing range.

The lens is fairly heavy and after a few months of use, you will likely find that the weight of the glass is enough to make the lens telescope out when it's around your neck. If you want a compact lens that will let you take great pictures in a wide range of settings, this is probably the best lens you could get for a Canon camera. If you're a pro, you'll probably have a backpack full of lenses and you're not reading this anyway, so I'm not talking to you. If you want something you can sling over your shoulder and not think about when you take the kids to Disney World, get a cheaper, lighter lens.

The Image Stabilizer (IS) makes the lens a lot more expensive (some lenses are offered with and without it), so you should know what you're paying for. Some notes about the Image Stabilizer:

- The image stabilizer itself is basically a spinning lens element (piece of glass) that acts as a gyroscope. When the lens moves slightly, such as camera shake caused by your pulse, the gyroscopic element stays put while the other elements move. Because the gyroscopic element is no longer in line with the other elements, it effectively bends the light just enough to compensate for the lens moving.

- Having the IS feature does not mean that you can take crisp photos with a 1/20 sec exposure while jumping on a trampoline. What it means is that you can often get away with not carrying a tripod in normal lighting, and in low light when your photos would be very blurry (assuming you're not using really fast film), the IS will make the images significantly less blurry. An obvious corollary is that you can avoid using a flash in many situations when a flash is undesirable or prohibited.

- The rule of thumb to get crisp photos without image stabilization is that your shutter speed should not be longer than 1 over your focal length. So if you are taking a picture zoomed in at 135mm, your shutter speed needs to be 1/135 sec or faster, and since no camera I know of has a 1/135 setting, that means going up to 1/160 sec (on cameras with stops in 1/3 increments) or faster. The image stabilizer means that you can go 2 f-stops slower than you normally could using the rule I just explained. So if you're shooting at 135mm and you have the IS switched on, you can shoot at 1/40 sec instead of 1/160 sec. That means four times as much light goes past the shutter, or that you can get the same quality results with 1/4 of the ambient light you would normally need.

- There are some times when you SHOULD NOT use the IS feature. You should definitely not use it if you are in a car, on a roller coaster, if you are walking, or in any other situation where the camera is moving or vibrating a lot. You will get blurrier than normal images because the gyroscopic element is constantly moving all over the place, trying to prevent the image from moving. Only have IS switched on when you are using the camera in a normal, stationary, handheld manner. You should also not use IS when you are using a tripod, or when you have the camera resting on a vibration-less surface for an image. The reason is that the gyroscopic element will be spinning even though it's not needed, and while this isn't really bad, the motion could decrease photo quality (I've never noticed this, but this is what Canon claims), and it is unnecessarily using battery power.

- Finally, not all of Canon's IS lenses use the same IS technology; many of the more expensive and newer lenses are better, but it was hard enough for me to come up with what this lens cost--it'll be awhile before I can rationalize three times as much for an upgrade.

One last note about third-party lenses, in case you're thinking about it. I know the price may be compelling but there genuinely does seem to be major quality differences, and while all Canon EOS lenses work will all Canon EOS cameras, no matter how many years apart they are in design, it has happened several times that even the best of the third party lenses (Sigma, some others) do not function properly with new Canon cameras. I happily buy knock-offs with other things, but not with lenses, flashes, or other camera components that actually communicate with my camera.

514 of 524 people found the following review helpful.
5Excellent Walkabout Lens
By Andrew Simmons
While I considered purchasing a Canon 10D, I also started looking for a good first lens. Most of the reviewers and Canonites on the various forums suggested this lens as a good starting point.The 28-135mm IS USM Zoom is the one I use all the time now on the Canon 10D, and that will be the case until I get over the sticker shock of the 10D/28--135mm combo and start adding other lenses to my kit.In the meantime, this lens gets the job done very well. It gives you good range for a variety of of shots, from portraits to telephotos. There is even a macro mode, which gives you the opportunity to do close-ups--not really a true macro, but okay for shots of flowers, your kitty cat's face, etc. It is the flexibility of this lens that makes it so appealing if all you have is just one lens. And remember that if you mount this lens on a digital camera, like the 10D, the range is actually extended by a factor of 1.6.The USM focuses fast, and the Image Stabilization (IS) really works. In fact, I've been spoiled by it, and IS is now a must for any of the longer lenses I might purchase in the future.The IS system "locks" on target so that camera shake is eliminated or at least seriously minimized. This means fewer shots ruined by camera shake, and the IS system allows the user to shoot handheld at slower shutter speeds. This isn't just advertising hype. It works.The image quality is quite good. I get good color saturation, contrast, and sharpness. After tweaking some shots in Photoshop, I was able to turn out some excellent 13x19 inch prints.As others have pointed out, if you are just starting out with a Canon DSLR or SLR and want one good general purpose lens, this is it.As of August 2008 I have sold this lens because I have moved on to Canon "L" glass, but the EF 28-135 is still a great lens to start with if you are just beginning to learn photography.

285 of 289 people found the following review helpful.
5THE Consumer-Grade Canon Lens to Get
By A. Johnston
Dollar-for-dollar, this is the best consumer-grade Canon lens available. The focal-length makes it a great walk-around lens. The onboard Image Stabilization allow for crisp zoom shots without a tripod. If your hands shake a lot, this lens will help overcome that.On the flip side, I found the Macro option provides a really startling level of detail up close. I also found the combination of the f3.5 and Image Stabilization to be of great use in low-light, indoor shooting where flash is prohibited. It's a fairly fast-focusing lens, too.Even though I have upgraded to an L-series lens, the 28-135 is still a personal favorite. Considering it is 1/3 the price of an L-series lens, I cannot find a single fault with it. Anyone looking for a general-purpose lens for under $500 to compliment their Canon Digital Rebel, Rebel XT, 10D or 20D has found it here.

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Price Comparisons for Memorex MKS5001 Karaoke System

Memorex MKS5001 Karaoke SystemBuy Memorex MKS5001 Karaoke System

Memorex MKS5001 Karaoke System Product Description:



  • CD+Graphics-capable karaoke system with powered, 4-inch speaker
  • Includes CD player and cassette player/recorder
  • Echo effect and balance controls, video output lets you follow lyrics onscreen
  • 2 microphone inputs, 1 headphone jack
  • 1 microphone and demo cassette included

Product Description

Become the lead singer of your favorite songs with the Memorex Dual Karaoke Machine. Song lyrics appear on your TV screen and stereo audio output connects to your home stereo system. Features CD/CD graphics player and dual cassette recorder so you can tape your performances from CD or tape. Other features include built-in controls for vocal tone, echo, mix, and master volume; 2 microphone inputs; built-in carrying handle; adds professional vocal echo effects. Also includes microphone and one 4-song demo CD/CD graphics disc. Imported. 18Hx12-1/2Wx7D"

Customer Reviews

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4 of 4 people found the following review helpful.
5~*~For Any Singer!!~*~
By bob
If your a person who loves to sing then this is it. A Karaoke machine would be the best present. This Memorex karaoke machine is great. It has a cd player that plays graphics on your T.V. The graphics are the lyrics to the song on the cd. It has two cassette players. It comes with one microphone and a sample cd with four songs on it. There is even a handle on top so its easy to carry. Its very easy to connect to your T.V. On the karaoke machine you can have an echo or not have an echo. You can change the volume on it. You can record your voice onto a cassette also. There are also more things that you can do but I wont list them all. Its a great present for any singer!!

3 of 3 people found the following review helpful.
4Memorex 5001 Karaoke
By Bombay Duck
A good machine that's a lot of fun. The dual mike jacks are nice so more than one person can sing. The variable speed for the dual cassette deck allows you to adjust the music to fit your own voice range, though it does slow down or speed up the music a little. I recommend adding external speakers if you're using it in bigger rooms or for parties. Overall a good, dependable machine.

4 of 7 people found the following review helpful.
5SOOOOOOOOOOOOOOOOOOL COOOOOOOOOL!!!!
By A Customer
The Best. It is realy cool! It is a great gift for anyone who loves to sing. It even comes with a sample Karaoke cd to try out. It is the bomb. If you love to sing than get this item. You will love it too.

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Affordable Canon EF 16-35mm f/2.8L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras

Canon EF 16-35mm f/2.8L USM Ultra Wide Angle Zoom Lens for Canon SLR CamerasBuy Canon EF 16-35mm f/2.8L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras

Canon EF 16-35mm f/2.8L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras Product Description:



  • EF mount; ultra-wide zoom lens
  • Super Ultra-low Dispersion glass; inner focusing; aspherical lens; full-time manual focus
  • 16-35mm focal length
  • f/2.8 constant maximum aperture
  • Micro UltraSonic Motor (USM)

Product Description

An incredibly compact, wonderfully bright and precise extreme wide angle zoom / Close focusing to less than one foot

Customer Reviews

Most helpful customer reviews

139 of 141 people found the following review helpful.
5It doesn't come off my camera much.
By Just Anonymous
**UPDATE**Canon has released a II version of this lens that is also available on Amazon. It is about $300 more than this lens and is advertized to truly solve some very minor problems that the pros really care about. The new version has an 82mm front openning vs the 77mm of this lens...what that translates into is that if you have a 70-200mm "L" like I do, you can exchange filters between the lenses but not between the new 16-35II which has a larger front openning. For me, I haven't noticed any of the small items they were trying to address with the II version as I'm not a Pro's Pro and a) will keep this lens and b) have noticed that value has been retained on this lens even after the release of a more expensive update to the lens. Both are professional lenses in my mind just depends on your degree of sophistication. Hope it helps.**ORIGINAL REVIEW**I got this lens because I didn't really own anything close to this range except for the kit lens (good but not great and not f/2.8). I do own a 15mm Canon Fisheye but it does distort quite a bit even on the 20D and I don't like to have to correct in Photoshop each time and I wanted a wide lens. I wanted something wider, that could capture lots of light (I do allot of ambient and low light photowork) and I wanted something versatile (on a 20D this is really a 24mm to 56mm --- great working range).Pros:1) With the 1.6x crop factor of my 20D this is really a 24 to 56mm lens. This makes it quite a bit less of a wide angle and more of a midrange lens. Consequently, it stays on my camera all the time and covers most of my daily needs. I bought this lens fully expecting it to be 24 to 56 as I wanted it to be multi purpose and at 24mm its still pretty wide.2) I try to avoid flash as much as possible given the type of photography I do and at f/2.8 I can take some great ambient light pictures that I would not be able to do otherwise3) At f/2.8, I can also blow the backgrounds and foregrounds out of focus. The out of focus areas are gorgeously buttery and the blokeh is very nice given the 7 blades of the shutter.4) The color saturation is like nothing I've ever seen before except with my 70-200mm Canon "L". I was literally floored at some baby pictures I took where the colors were in two words "mind blowing". I knew the color would be great but "WOW!" With Photoshop CS2 I can "fake" saturation but its just not quite the same as the color that came out of this lens straight out of the box. Zero photoshop touchup needed.5) Its sharp! This lens takes some amazingly sharp pictures into what I would classify as amazing. I've received numerous positive comments on the sharpness of this lens. I've tried looking at the edges to see if there's any CA or less sharpness and couldn't really find any. Maybe on a full size sensor you can tell more but I couldn't really on a 20D. I do notice that the plane of focus at f/2.8 is narrow (which is good) and I have to make sure that everything I want in focus is. The blokeh is very buttery at f/2.8. I like it quite a bit.6) Its built like a tank. Black metal shell. Metal EF mount. Smooth manual focusing. Sturdy recessed switches. The red stripe catches the eye of photographers who know....easy to strike up conversations and learn.7) It was surprisingly smaller and lighter than I thought it would be. About half the size of my 70-200mm Canon "L". I was expecting it to be bigger and am much happier that it wasn't. Its on my camera all the time and not a chore to carry around at all. Unless you're a very petite person.8) Internal focusing. So the lens size doesn't change in size or turn when focusing. This is very useful when you put filters on or when you're focusing in close.9) USM Motor. Its whisper quiet and it focuses super fast. Faster than my 70-200mm....something I'd expect but wow its fast and silent.10) It focuses pretty close 12 inches or so. You can get close to your subject. Its not a macro lens but you can get some dramatic wide angle shots with its close focusing.11) Its TTL2 so works very nice with my 580EX flash.12) EF mount will grow with you. If you upgrade your camera body to a full frame camera with an EF mount, this lens will fit your new camera and you can continue to enjoy your lens investment.Cons:1) On a 1.6x frame size, it doesn't get into "amazing" wide category but that's not the fault of the lens. I'm marking this down as a Con but you can take it several ways. If you want to get ultra-wide on a small frame camera, you won't with this lens (although 24mm is pretty darn wide) and about your only Canon options are the 15mm fisheye which I own and think is a great specialty lens, the 10-22mm EFS Canon, and the 14mm L. The 10-22 I hear is very good but its EFS (and won't fit the full frame cameras - less upgradable I think) and its not an L lens although for a non-L the 10-22 I hear is exceptional. The 14mm EF L will run you almost as much as this 16-35mm zoom. The 15mm EF Fisheye is wonderful but it is designed to distort and the distortion is visible on the 20D and even more so on full frame cameras and you need Photoshop to fix. On this 16-35mm L, if you want the f/2.8 and are ok with something like 24-56, then you won't find better for small-sensor cameras. I'm very glad I got it and, if you already have a full frame camera or upgrade at some point, you can enjoy 16mm "WOW" wide. I can only imagine the coverage I'd get on a full frame camera.2) The hood is massive...wide but not very deep...so its a shallow hood (It has to be with the wide angle I guess). I never take it off -- it keeps stray light out and is a secondary protection for the lens. I have had zero problems with lens flare.3) The front lens element does sink in and out inside the tube (exposed but the lens case doesn't change in size). There is no protective filter to protect that front element. I bought a UV/Haze filter ($26 from Amazon) and I highly recommend you do as well to protect your investment. With the UV/Haze filter, the lens is very self contained.4) Oh the cost....my oh my. Expensive as heck. Cost as much as my camera body --- worth every penny. If its any consolation, these lenses are very hard to make and they keep their value. Your camera body might drop in value as new technology arrives but this lens will hold its value if you take care of it.Differences, Notes, Things I've heard:1) I have no experience with non canon lenses so I can't compare but this 16-35 is amazing.2) Compared to other "L" lenses, it holds up and the quality is amazing when it comes to color, performance, lens construction.3) I hear there is some Chromatic Aberation at the edges of these wide lenses (well more than the 70-200mm) but that's to be expected when you're gathering light from such wide angles and focusing it....that's got to be hard. Wide angles exhibit more CA than long telephotos. On my 16-35mm it wasn't visible to me. I imagine a Pro's pro might notice care. Anybody with less stringent requirements than a Pro's pro or extremely saavy person, couldn't even notice or care. Besides, CA on this lens is orders of magnitude less than almost any other lens.4) I bought directly from Amazon. Ordered on a Monday got the lens the next day on Tuesday. Amazing service. Great store.

70 of 74 people found the following review helpful.
5Great glass!!!
By A Customer
What can I say? Yes, it's a bit expensive. And yes, it weighs about a ton. But the quality of this lens is absolutely great. If you own a DSLR like the D30, D60 or 10D this lense effectively becomes a 25.6-56 mm zoom. Which is great since there aren't that many high quality moderate wide-angle lenses available for these DSLR's. If used on a 1Ds or a film SLR then the 16-35 suddenly becomes the stuff that dreams are made of. This is one hell of a lens! If you are planning to buy a wide-angle zoom lens for your EOS camera and are considering the purchase of a non-Canon lens, don't do it! I used a few of those before buying the 16-35 f/2.8L USM and regretted it almost from day one. Yes, they are cheaper, but if you're serious about photography in the long run you'll end up buying the real thing anyway. So better wait and save up a litlle longer.

44 of 49 people found the following review helpful.
5An "L" of a lens...
By F. Ehorn
Having received some Christmas cash, I put it to good use with the purchase of this lens. It works great with my Digital Rebel and certainly is a fine choice for any of the EOS Canons. Sure, it is pricey and a little heavy, but if you want a fast, wide-angle zoom lens, there is little else that is equivalent. The zoom range takes you from wide scenics to excellent indoor flash shots at 35mm (with a Canon Speedlite EX accessory). The USM focusing motor is quiet and very quick. Comes with a Canon lens hood. Don't forget to add a 77mm UV filter to protect the optics full time!

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