Compare Nikon 85mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

Nikon 85mm f/1.8D AF Nikkor Lens for Nikon Digital SLR CamerasBuy Nikon 85mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

Nikon 85mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras Product Description:



  • Portable medium telephoto lens that is ideal for indoor and outdoor portraits
  • Rear Focusing system for fast and smooth optical performance
  • Subtle blurring of background for beautifully natural and evocative portraits
  • High-speed f1.8 aperture
  • Compact and lightweight at 13.2 ounces

Product Description

85mm lens for Nikon SLR cameras

Customer Reviews

Most helpful customer reviews

96 of 97 people found the following review helpful.
5An oustanding portrait lens for both film and DSLR
By M. Garrett
A exceptional portrait lens for both digital and film, the Nikkor 85mm f/1.8D is usably sharp wide open and tack sharp by the time you stop down even just a bit. Relatively small and very light, it feels just right in my hand. Steve McCurry is one of my favorite photographers and I was happy to discover that many of his great shots were taken with this lens.Also, if you shoot on a manual focus body like the F3, you'll like the solid but smooth feel of the focus ring.The 85mm comes with a metal, screw-on hood. My preference is the plastic bayonet mounts, but I find that I don't need the hood that often since this lens doesn't tend to flare.Two minor complaints about this lens: first, the bokeh is not exceptional. That's OK; I'm not a bokeh hound. But when I see the creamy out of focus specular highlights that the 85mm f/1.4 produces, sometimes I dream about spending the extra money.Second, I wish it were AF-S. But even without AF-S, it focuses faster than you'd expect.Finally, the construction is solid. I've used it heavily for two years in deserts, jungles, and glaciers (ok, and in less glamorous places like around the apartment) and it still looks brand new.In short, my favorite lens. Absolutely worth every penny.

132 of 139 people found the following review helpful.
4Wonderful lens, especially for crop-size DSLRs
By Glenn Carpenter
I like the 85mm focal length very much. On a Nikon crop-size DSLR, the 85mm focal length is a very useful short-to-medium telephoto length, giving a nice field of view with just enough distance compression to get a pleasant telephoto perspective. This lens' wide aperture gives plenty of control of depth of field, allowing you to isolate your subject and get just the right amount of defocus elsewhere in the frame. I tend to prefer to use it at f/2.8 or so, although having the ability to go to f/1.8 is certainly useful at times.A few notes on specific performance issues, some of which seem to be in disagreement with others here:- I would not characterize the lens as very sharp wide open. I've sampled three of these lenses, two "AF" models and one "AF-D" model. The AF-D was the best. Like any lens I've used, it loses sharpness at wider apertures, and I would characterize it as soft at f/1.8, still moderately soft at f/2.8, good at f/4, sharp at f/5.6 and very sharp at f/8. There is a definite difference in sharpness at each aperture up through f/8. This is not necessarily bad. A bit of softness at f/1.8-f/2.8 might be desirable for portraits and some other types of photos, and the lens is very sharp where you would usually use it for landscapes and general photography - f/5.6-f/8 or so. At wider apertures, the contrast between a blurred background and relatively sharp subject remains striking and is a very pleasant effect that will allow you to get exceptional images.- This is not a high-contrast lens, due at least partly to a lack of ED glass. This is appropriate and probably contributes to its reputation as a good portrait lens - skin tones are pleasantly rendered and the overall effect is slightly subtler and gentler compared to Nikon's most contrasty lenses. I can shoot the same scene with this lens and then with my 16-85mm (consumer DX zoom), and colors that leap off the screen with the 16-85 are significantly mellowed with the 85/1.8.- I don't see any loss of contrast at wider apertures. This is good. The 50mm f/1.8 loses a lot of contrast wide open, for example (and mine is considerably softer than the 85mm at wide apertures).- I would not say the quality of bokeh is particularly pleasing. It can be distracting at times, and I see color effects in the blurred areas (chromatic aberration), which occurs because different wavelengths of light are blurred differently by the lens (some very expensive lenses are "apochromatic," meaning that they correct for this). This does not in my opinion detract significantly from my images, since the whole idea of defocus is to attract the viewer's eye to the subject rather than away from it and so consequently one does not tend to study an out-of-focus background unless actually evaluating it specifically; but this might be one of the reasons the f/1.4 lens is a more popular choice among those willing to spend three times the money. This is speculation on my part as I have not tried the f/1.4.- Focus is very quick and as far as I can tell completely accurate. I do use a simple test chart to test focus with all my lenses and this lens focuses well within its depth of field even wide open.This lens is very good for tight indoor shots as well as outdoor photography. At near-wide-open it can be used indoors with fairly low available light and make very pleasing shots of tight groupings of people from a reasonable distance. A slower lens will tend to bring the background into the photo more than is desirable, which can be distracting in the final image.It is not a good only lens and perhaps not even the first prime lens one should buy. It is a very good lens to have after all the basic focal ranges are covered, and perhaps after a "normal" prime, and it is a very good lens for taking pictures of people. In addition to this lens I highly recommend Nikon's very affordable 35mm f/2 (2/25/09 note: Nikon has recently announced an even more affordable 35mm f/1.8 lens for DX which will probably prove to be an even better choice for DX users), which is very sharp indeed and in my opinion a far better lens than the 50mm f/1.8. I do however prefer the 85mm as a matter of pure personal taste: it is my personal favorite fixed-length lens.I wish I could give it 4-1/2 stars as it is a good, good lens, but can not justify giving a full five. I don't think anybody would regret buying it, however. With a bit of help from the user it is capable of making some truly fine images.Other Lenses:I've had the opportunity to own and use many different Nikon lenses and have posted my impressions of some of them here on Amazon. For those interested, here are short summaries. I have used all these lenses on Nikon DX-sized DSLRs, most recently my current D90. Refer to the full reviews for further detail.Nikon 28mm f/2.8 AF-D: *** Competent, sharp lens is a good fit as a bargain DX "normal" prime. Slow f/2.8 max aperture poor. Very inexpensive in used market.Sigma 30mm f/1.4 HSM: *** Poor focusing consistency and below average large-aperture acuity combine for disappointing real-world performance. Fast max aperture, very capable if used with appropriate care.Nikon 35mm f/1.8 AF-G: ****1/2 Terrific lens at a bargain price. Not without flaws, but excellent in all important respects. A pleasure to use.Nikon 35mm f/2 AF-D: **** Sharp, especially at large apertures, moderate contrast. Classic "normal" lens for DX but consider new 35mm f/1.8 AF-S instead.Nikon 50mm f/1.8 AF-D: *** My sample was unacceptably poor at large apertures. Perhaps a below-average sample. Focal length not ideally suited to DX.Nikon 16-85mm VR ***** Very sharp at all settings, excellent contrast, very useful zoom range including true wide-angle at 16mm. Excellent VR. Best-kept secret for DX users.Nikon 28-200mm AF-G *** Of two samples, one was excellent and one poor, so watch for sample variations. Very good contrast. Not ideal hand-held due to lack of VR. Not ideal for tripod use due to design.Nikon 55-200mm VR **** Very good lens, very good sharpness and contrast, no fatal flaws. Cheap feel and feature-challenged, but has effective VR. A bargain.Nikon 70-300mm VR *** My sample had very poor performance above 200mm, good to very good elsewhere. Good contrast, generally very good focus performance. Good sports/action lens. Not good where critical sharpness is desired. Possibly a below-average sample.

86 of 92 people found the following review helpful.
5Excellent compact moderate telephoto lens
By John Kwok
If you don't need the speed or can't afford the expensive 85mm f1.4 Nikkor lens or both, then this lens may be the right one for you. It took Nikon a while to produce a superb compact 85mm lens, but this time they finally got it right. Without a doubt, this is a fine portrait lens for photographing head-and-shoulder portraits (The only lens which is optically better is Nikon's legendary 105mm f2.5 Nikkor lens, and its close optical twin, the 105mm f2.8 Micro Nikkor.). Since the 105mm f2.5 Nikkor lens doesn't have an autofocus version, then this might be the perfect moderate telephoto lens for owners of Nikon autofocus SLR cameras. Regardless, this lens has a well-earned reputation for excellent contrast and resolution.

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Price Comparisons for Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras

Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR CamerasBuy Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras

Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Product Description:



  • Wide to telephoto 3.5x zoom lens ideal for landscape, full-length portraits, travel and portrait photographs
  • Fast f2.8 maximum aperture at 24mm focal length
  • Provides maximum 1:2 reproduction ratio from 35 to 85mm
  • Hybrid and molded-glass aspherical lens elements for higher optical performance
  • Nine-blade rounded diaphragm achieves a natural blur for out-of-focus elements
  • Nine-blade rounded diaphragm achieves a natural blur for out-of-focus elements
  • Hybrid and molded-glass aspherical lens elements for higher optical performance
  • Fast f2.8 maximum aperture at 24mm focal length
  • Wide to telephoto 3.5x zoom lens ideal for landscape, full-length portraits, travel and portrait photographs
  • Provides maximum 1:2 reproduction ratio from 35 to 85mm

Product Description

Lens-making is an art--Nikon artisans craft Nikkor optics from the finest materials, taking pride in adding their intellect and technique to bring the world's finest lenses to life. They push the leading edge of lens-making in their effort to provide the "glass" that makes the world's greatest pictures. AF Nikkor lenses work with Nikon SLRs for optimal performance, even the very latest. The 17-35mm f2.8D ED-IF AF-S Zoom Nikkor Lens is a wide to telephoto 3.5x zoom lens ideal for landscape, full-length portraits, travel and portrait photographs. With a fast f2.8 maximum aperture at 24mm focal length, it provides a maximum 1:2 reproduction ratio from 35 to 85mm. Hybrid and molded-glass aspherical lens elements provide higher optical performance, while the nine-blade rounded diaphragm achieves a natural blur for out-of-focus elements. Filter attachment does not rotate during focusing or zooming.

Customer Reviews

Most helpful customer reviews

60 of 60 people found the following review helpful.
5Great All-Purpose Lens for FX DSLRs
By Russell K. MacDonald
I bought this lens new about six months ago to use on my D3, and have used it now for four weddings.It is not quite as sharp as my 24-70mm f/2.8, when wide open, but when stopped down one stop, it is tach sharp. It is also much lighter which helps a lot at a long event, and it has more reach, making it great for parties and receptions.It autofocuses very quickly with the screw drive in the camera, and I never miss any action shots due to focus lag. It won't focus on some of the low-end Nikon DSLRs because they lack the drive screw.I don't recommend this lens for DX cameras, because 24mm is not usually wide enough on DX for many reception and party shots. In my opinion, the 16-85mm VR DX or even the 18-70 DX lens would be a better choice for a DX camera.The 24-85mm is also a very nice light weight travel lens for an FX camera.

31 of 31 people found the following review helpful.
5A very good lens for mid-range zoom
By RonAnnArbor
This is a very good lens for mid-range zooms. Those of us who kept the lens around from our SLR days can happily use it on digital equipment. It's meant for full-frame cameras, but it works on DX as well (though I am not sure 36 - 128 is a useful lens on DX). On my D700 for instance, it is a true 24 wide to 85 zoom.The lens is fast and sharp. It renders colors well. I do find some lens flare apparent without a standard UV filter -- buy one. A tiffen UV filter, for example, will set you back 20 dollars, and is worth it. Note that the lens hood on this lens is pretty much useless. It doesn't stay latched, and is more bother than it is worth. I have long ago stopped using lens hoods on my lenses -- using your hand for shading the three times out of 1000 that you might need a hood does the trick just as well.The fast 2.8 aperture speed allows for creative shots, and it's generally usable along it's entire 2.8 -4 low-end aperture range.For Full-frame cameras, this is a dream lens. It is sharper and faster than the 24-120 VR kit lens, and it doesn't need the VR at these speeds. It is also light, and makes for a great travel lens. I do a lot of event shooting, and it's great to use this small lens -- while the 24-70 2.8 is the current top of the line standard zoom for Nikon, it also costs three times as much, does not have a Micro function (NIkon's name for macro) and weighs three times as much. The 24-85 is much better for extended walk-around shooting, be it landscapes, everyday shots, or events.You will not be disappointed with this lens -- though you might still crave that 24-70 2.8 in the longrun.

21 of 22 people found the following review helpful.
5BEST PROSUMER LENS OF THEM ALL
By Ronald L. Laible
I HAVE HAD THIS LENS ON MY NIKON D300 AND IT IS THE BEST ALL AROUND LENS THAT I'VE EVER USED IN 30 YEARS. YOU CAN JUST LEAVE IT ON THE CAMERA AS IT HANDLES MOST OF YOU PICTURES FROM CLOSE UP MACRO WORK (WITH A FLIP OF A SWITCH) TO FULL BODY PORTRAITS TO LANDSCAPES. I PERSONALLY THINK THE BUILD QUALITY IS EXCELLENT WITHOUT GOING OVERBOARD. AT 20 OUNCES IT'S LIGHT ENOUGH TO CARRY AND STRONG ENOUGH TO LAST FOR YEARS. IT LOOKS LIKE A PRO LENS AND IT WORKS LIKE A PRO LENS AT LESS THAN HALF THE PRICE. WHAT MORE CAN YOU ASK FROM A LENS THAN FAST FOCUS, TACK SHARP, GREAT LOOKING, EASY TO USE, WELL BUILT AND PROPERLY PRICED. I'VE HAD THEM ALL, 18-55 AFS VR, 28-70 F/3.5-4.5 D, 28-85 F/3.5-4.5, AND THE EXCELLENT 24-85 F3.5-4.5 AFS G, 35 F1.8, 50 F1.4, 60 AFS G F/2.8 AND THIS IS THE BEST PROSUMER LENS OF THEM ALL. STOP READING ABOUT IT AND START SHOOTING WITH IT. YOU'LL BE THRILLED WITH THE PICTURES!!!

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Cheapest NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens

NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor LensBuy NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens

NIKON 14mm f/2.8D ED AF Ultra Wide-Angle Nikkor Lens Product Description:



  • Hybrid aspherical lens elements and ED glass elements
  • RF (Rear Focus) system for superior performance
  • Rectilinear design provides straight line subject rendition
  • Built-in flower design lens hood
  • F-Stop Range - 2.8-22

Product Description

Includes NIKON's built-in CPU and distance signal features / Also features A-M switch / Built-in flower shaped lens hood

Customer Reviews

Most helpful customer reviews

35 of 36 people found the following review helpful.
4Differences I have found between the 14mm and 14-24mm zoom
By Mr. Winter
(1) It's smaller and lighter than the 14-24mm zoom.(2) Accepts gel filters on the rear of the lens. The 14-24 does not accept filters.(3) This 14mm is a "D" lens so it still has an aperture ring which allows it to be used on an older Nikon film bodies. Has depth of field scale. The 14-24mm is a "G" gelding design and had no aperture ring and no DOF scale.(4) The 14mm uses the motor built into the camera body to auto focus. 14-24mm has a built in SWM silent wave motor. Both have lightning fast focus.(5) The 14mm has a seven blade aperture so it gives sun burst stars from point source lights. The 14-24mm has nine blades and creates round light blobs from point sources.(6) The 14-24mm performs better when pointed toward the sun or other light sources due to the nano coating. The 14mm seems to have more internal reflections from any point light sources in the frame.(7) The 14mm's lens cover is a synthetic leather bag with a draw string which makes it difficult to remove or replace with one hand. 14-24mm has a plastic slip on cover much easier to one hand. I miss the days when the wide angles came with metal slip on covers. Both optics are razor sharp so, I'll leave it up to you to decide which would work best for you. As for me I went with the 14mm f2.8 and have no regrets for doing so. I would have given the 14mm 5 stars if it had the nano coating and better lens cover.I hope this helps.Thanks.

48 of 58 people found the following review helpful.
5Superb, if you can afford it
By Andrius Uzkalnis
This is an absolutely fantastic lens - light for its size, and fast focusing too (not that you often need fast focus for wide-angle shots, that is). Quite simply, once you get used to Nikon speed of focusing, even very marginally lower speeds of Canon feel like an eternity.

If you are even considering buying this product, you know very well already what it is and what it does. I just wanted to emphasize the AF speed and clear markings which, in my view, are better than on comparable products from other manufacturers.

12 of 14 people found the following review helpful.
5I think someone used the term stellar, and it fits
By J. Sheldon Cooper
I'd ignore the 1 star review of this lens as the reviewer completely misses the capabilities of this lens that a zoom won't have. It is fast, both in operation and aperture. And with coverage for an FX format sensor, 14mm is something that would only be a dream awhile back.now I'm no scientist, and there's a 16mm fisheye, but this is wider but not a fisheye. So what gives? I have a 10.5 DX fisheye, and one of the great features of it was in the Nikon Capture software that you could get for your camera. What the sofware did was take that fishbowl look away and make the photo a rectilinear image by reshaping the perspective.If that is true, it's probably what makes this lens such a joy to use. Your angle of view is amazing, and the results give you that rectilinear quality, and it's right in the viewfinder. You don't have to wait for post processing to see the results.It will take a big bite out of your glass budget, but it is an investment that will probably payoff nicely down the road. Of the major investment I've made in Nikon FX format equipment, this is the jewel in the crown.Drawbacks: yes. #1 The front element is almost spherical and the "shade" wings don't exactly provide superior protection. #2 The lens cover; it's sort of a little leather feed bag looking sack that fits around the shade. It's a bear to get on; and if you're in a hurry, forget it. Maybe it'll get easier over time, but right now it's tough to fit with risking damage to your lens.Watch the prices, and if an opportunity comes along, grab it.Kind of like when you buy a car. Once in awhile you sit in a car and know instantly that it fits, and your checkbook jumps out of your pocket. This lens fits.I'll check back once I get a few hundred more images through this lens, but I doubt it'll say anything other than whatever was already has been said.

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